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Category Archives: Signal Processing

Behringer FEEDBACK DESTROYER PRO FBQ2496

FEEDBACK DESTROYER PRO FBQ2496

Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 40 FBQ Filters and 96 kHz Audio Performance

  • Ultra-high performance 2-channel 24-bit/96 kHz Feedback Destroyer and Parametric EQ
  • Automatically and “intelligently” locates and destroys up to 40 feedback frequencies
  • Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
  • Panic button immediately takes action in feedback emergency situations
  • “Set-and-forget” default setting enables immediate and super-easy Feedback Destroyer performance
  • Auto mode continuously monitors the mix and automatically sets filters
  • Single-shot mode automatically detects and destroys feedback and locks filters until they are reset manually
  • Ultra-high resolution 24-bit/96 kHz A/D and D/A converter plus 32-bit DSP for ultimate audio performance
  • Extensive MIDI implementation and user preset memories for instant program recalls
  • Balanced inputs and servo-balanced outputs with ¼” TRS and gold-plated XLR connectors
  • Internal switch-mode power supply for maximum flexibility (100 – 240 V~), noise-free audio, superior transient response plus lowest possible power consumption for energy savings
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

The FBQ Feedback Detection System lets you immediately recognize and eliminate feedback frequency.

The FBQ2496 Feedback Destroyer PRO is the fastest feedback suppressor on the market (less than 0.2 seconds) and the only one to offer a 96 kHz sampling rate. This rack-mountable audio solution is the quick, easy way to protect yourself and your audience from feedback.
 
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Posted by on 05/07/2011 in Signal Processing

 

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Behringer SHARK FBQ100

SHARK FBQ100

Automatic Feedback Destroyer with Integrated Microphone Preamp, Delay Line, Noise Gate and Compressor

  • High performance single channel Feedback Destroyer with integrated microphone preamp, delay line, noise gate and compressor
  • Automatically and “intelligently” locates and destroys up to 8 feedback frequencies
  • Narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
  • Ultra-low noise Mic/Line input with Gain control and +48 V phantom power
  • Delay line with up to 2.5 seconds of delay, adjustable in meters, feet and msec
  • Noise gate with automatic and manual parameter settings
  • Automatic compressor with variable density
  • Subsonic filter with adjustable cut-off frequency
  • Balanced inputs and servo-balanced outputs with ¼” TRS and gold-plated XLR connectors
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

Quick and Clean

Thanks to its intelligent “Learn Mode,” the FBQ100 can automatically equalize your PA and protect your sound system from feedback. BEHRINGER’s search algorithm ensures feedback frequencies are attenuated within a fraction of a second, using narrow 1/60 octave single-shot filters. The remaining filters automatically take action as required, adjusting only the specific frequencies causing the feedback, so your music stays powerful and alive.

Beyond Versatile

The adjustable mic preamp, with switchable +48 V phantom power and Ultra-Low Noise technology, guarantees noise-free, ultra-musical sound. You can choose professional studio (+4 dB) or microphone output level, so the FBQ100 can be directly connected to the mic input of a recording device. Virtually any type of signal can be connected and converted.

Delay lines are required to compensate for time variations resulting from speaker positioning in large venues. The FBQ100’s delay can be adjusted in meters, feet or milliseconds. The maximum delay time of 2.5 seconds corresponds to a distance of 850 meters. Combining several FBQ100s with the optional rack-mount kit puts a complete professional loudspeaker management system at your fingertips.

Undeniable Value

Like a sonic Swiss army knife, you’ll want the FBQ100 close at hand for all your gigs and studio engagements. In fact, you’ll want several, which is why they are sized to fit five across your rack.

 
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Posted by on 03/07/2011 in Signal Processing

 

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Behringer FEEDBACK DESTROYER FBQ1000

FEEDBACK DESTROYER FBQ1000

Automatic and Ultra-Fast Feedback Destroyer/Parametric EQ with 24 FBQ Filters

The FBQ1000 Feedback Destroyer is the fastest feedback suppressor on the market, with a response time of less than 0.2 seconds. Whether you use it to kill feedback dead in its tracks for your mains and/or monitors, or as a sophisticated parametric equalizer to fine-tune the acoustics of your next gig, the FBQ1000 will bring a new level of finesse to your sound. And if you use in-ear-monitors, the FBQ1000 is a must-have to protect your most valuable assets—your ears!

  • High-performance 2-channel Feedback Destroyer and Parametric EQ
  • Automatically and “intelligently” locates and destroys up to 24 frequencies
  • Ultra-narrow FBQ filters for extremely effective feedback suppression, while keeping highest sonic quality
  • “Set-and-forget” default setting enables immediate and super-easy Feedback Destroyer performance
  • Auto mode continuously monitors the mix and automatically sets filters
  • Single-Shot mode automatically detects and destroys feedback plus locks the filter until you reset it manually
  • Manual mode allows setting of up to 24 fully parametric filters with individual frequency, bandwidth and gain parameters
  • Extensive MIDI implementation and user preset memories for instant program recalls
  • Balanced inputs and servo-balanced outputs with ¼” TRS and gold-plated XLR connectors
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

One Smart Solution

Using an ultra-fast feedback detection algorithm, the FBQ1000 automatically and “intelligently” locates up to 12 feedback frequencies per channel. The algorithm then sets extremely narrow notch filters (up to 1/60th of an octave) to “destroy” feedback frequencies, leaving the remainder of your signal virtually untouched. And with the “Set-and-Forget” default setting, your Feedback Destroyer can be up and running in a matter of seconds.

Ease of Operation

The Auto Mode continuously monitors the mix, resetting programmed filters automatically to eliminate the slightest hint of feedback, without you having to do anything at all. It just doesn’t get much easier than that! If you prefer a more “hands-on” approach, the Manual Mode allows you to program up to 24 fully parametric filters (with frequency, bandwidth and gain controls) to optimize your sound to the room’s acoustics.

Be Prepared

The FBQ1000 is the quick and easy way to protect yourself and your audience from live sound’s #1 enemy—feedback! Plus it’s rack-mountable and ultra-affordable. With the FBQ1000’s various modes, you can master virtually any live sound situation or use the unit as a creative sound-shaping tool. A single FBQ1000 can protect you from feedback in both your mono PA mains and a monitor mix. Check one out at your nearest BEHRINGER dealer today. Your ears and your audience will thank you.

 
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Posted by on 15/05/2011 in Signal Processing

 

ULTRAGRAPH FBQ-PRO FBQ6200

ULTRAGRAPH FBQ-PRO FBQ6200

Ultra-Musical 31-Band Stereo Graphic Equalizer with FBQ Feedback Detection System

  • Professional 31-band stereo graphic equalizer for both live and studio applications
  • Revolutionary FBQ Feedback Detection system instantly reveals critical frequencies and can also be used as audio analyzer
  • Dedicated Limiters with gain reduction meters for each channel protect your sound system from overload and distortion
  • Pink noise generator provides test signals for equalizing your sound system to any room acoustics
  • Mono subwoofer output with dedicated level control and adjustable crossover frequency
  • Additional sweepable high and low-cut filters for each channel remove unwanted frequencies e.g. floor rumble, tape hiss, etc.
  • Highly accurate 8-segment LED input/output metering and input gain control for easy level setting
  • Ultra-low noise audio operational amplifiers offer outstanding sound performance
  • Relay-controlled hard bypass with an auto-bypass function during power failure (failsafe relay)
  • Servo-balanced inputs and outputs with 1/4″ TRS and gold-plated XLR connectors
  • Shielded toroidal power transformer for ultra-low noise performance
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 
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Posted by on 31/08/2010 in Signal Processing

 

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ULTRAMATCH PRO SRC2496

ULTRAMATCH PRO SRC2496

Ultra High-Resolution 24-Bit/96 kHz A/D-D/A & Sample Rate Converter

  • High-end 24-bit/96 kHz A/D and D/A converters for ultimate signal purity
  • Converts any sample rate between 31 and 100 kHz into 32, 44.1, 48, 88.2 or 96 kHz sample rates
  • Flexible format conversion between AES/EBU and S/PDIF (coaxial or optical)
  • Ultra high-quality signal output with 16-, 20- or 24-bit resolution
  • Universal sample rate synchronization via wordclock or digital input
  • Allows parallel A/D and D/A conversion at identical sample rate
  • Precise metering for input/output signal as well as powerful headphone monitoring
  • Dithering automatically adapted for word length conversion
  • Allows direct manipulation of emphasis bits and other significant, digitally transmitted information in order to record virtually any audio signal
  • High-precision quartz clock generator removes jitter and corrects off-tune, incorrect sample rates
  • Extremely fast tracking supports varispeed applications
  • Self-adjusting anti-aliasing filter with exceptionally steep edge
  • Consumer devices (e. g. DAT recorders) can be synchronized with the studio clock
  • All 3 outputs (XLR, RCA, Optical) simultaneously operational (splitter)
  • Inputs separately selectable (patchbay functionality)
  • All digital inputs / outputs balanced and galvanically isolated
  • All analog inputs / outputs servo-balanced
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 
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Posted by on 16/08/2010 in Signal Processing

 

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VIRTUALIZER 3D FX2000

VIRTUALIZER 3D FX2000

High-Performance 3D Multi-Engine Effects Processor

  • 71 breathtaking new algorithms—true RSM (Real Sound Modeling) stereo and 3D effects
  • Wave-adaptive virtual Room reverb algorithms for natural reverb and delay
  • Awesome modulation, dynamic, psychoacoustic and EQ algorithms
  • Authentic amp simulation, distortion and special effects
  • 11 effect combinations with selectable serial / parallel configuration
  • Up to 7 adjustable parameters plus 2-band EQ per effect
  • 24-bit A/D and D/A converters with 64/128-times oversampling
  • True stereo processing for realistic channel separation in stereo image
  • 100 factory presets plus 100 user memory locations
  • Extensive MIDI implementation
  • Accurate LED level meters for perfect level setting and optimum performance
  • Servo-balanced XLR and ¼” TRS inputs and outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany

 
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Posted by on 13/08/2010 in Signal Processing

 

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VIRTUALIZER PRO DSP2024P

VIRTUALIZER PRO DSP2024P

High-Performance 24-Bit Multi-Engine Effects Processor

  • 71 breathtaking new algorithms—unbelievable true stereo effects
  • Wave-adaptive Virtual Room reverb algorithms for natural reverb and delay
  • Awesome modulation, dynamic, psychoacoustic and EQ algorithms
  • Authentic amp simulation, distortion and special effects
  • 11 effect combinations with selectable serial / parallel configuration
  • Up to 7 adjustable parameters plus 2-band EQ per effect
  • 24-bit A/D and D/A converters with 64/128-times oversampling
  • True stereo processing for realistic channel separation in stereo image
  • 100 factory presets plus 100 user memory locations
  • Extensive MIDI implementation
  • Accurate LED level meters for perfect level setting and optimum performance
  • Servo-balanced XLR and ¼” TRS inputs and outputs
  • High-quality components and exceptionally rugged construction ensure long life
  • Conceived and designed by BEHRINGER Germany


 
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Posted by on 10/08/2010 in Signal Processing

 

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